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Lethem- Texte und Songs

 

Auf Jonathan Lethems Website befindet sich eine große Auswahl an Geschichten und Texten, die zum Beispiel Filmemachern für eine Adaption zur Verfügung stehen. Die folgenden Songtexte können von Musikern, Bands und Songschreibern frei verwendet werden und als Ganzes oder in Auszügen aufgenommen oder umgeschrieben werden. Die Texte sowie den aktuellen Stand der Bearbeitungen, können Sie sich auf Lethems Website ansehen. Eine Auswahl von bereits aufgenommenen Songs findet sich dort unter "Who's doing what?". Wenn Sie einen Text adaptieren oder Jonathan Lethem Ihr Ergebnis zukommen lassen möchten, schicken Sie bitte eine Mail an seine Assistentin Lucy: jonathansassistantlucy(at)gwi.net


Songs aus "Du liebst mich, du liebst mich nicht"

 

Diese Songfragmente und -titel stammen aus Jonathen Lethems neuen Roman, in dem er über eine Rockband in L.A. schreibt. Die Lieder dazu wurden nicht fertiggestellt, aber Jonathen Lethem würde sich freuen, wenn andere es versuchen würden.

 

 

Monster Eyes
Before my eyes destroy you

Better run, better run

Can you feel my eyes abhor you?

Better run, better run

 

(chorus)

Best thing I ever did for you

Was get you out of range of my monster eyes

 

 

The Houseguest

I'm the houseGUEST

I can't get no REST

In your guest BED

I'll sleep when I'm DEAD

 

 

Astronaut Food 

Am I just astronaut food for you?

Are you gonna take me along to the moon?

 

 

Songtitel
- Dirty Yellow Chair

- Temporary Feeling

- Hell Is For Buildings

- Secret From Yourself

- Tree of Death

- Crayon Fever

- Canary In A Coke Machine

- Actually Quite Funny




Andere Lyrics

Die folgenden Songtexte hat Jonathan Lethem in den letzten 20 Jahren geschrieben, manche für bestimmte Bands oder Künstler, andere nicht. Sie sind beeinflusst von Lou Reed und den frühen Talking Heads und dürfen ebenfalls frei verändert und verwendet werden.

 

 

Sort of True

Well, it's sort of true

And it's nice of you

To mention it

But don't believe a word

Of what you've heard

No it's purely an invention

 

(chorus)

Because you don't have anything

But sizzling secrets to tell

No you don't have anything

But sizzling secrets to tell

And we all agree

No, it's not just me

That talking to you is like ringing a bell

 

Well is that a fact

That you take it back

Regretfully

Well don't you see

It's not up to me

Regretfully

 

(chorus)

Because you don't have anything

But sizzling secrets to tell

No you don't have antything

But sizzling secrets to tell

And we all agree

No, it's not just me

That talking to you is like ringing a bell

 

Nobody's above it

In fact, we all seem to be right in the thick of it

Nobody loves it, but we all like it,

And I guess that's the trick of it

 

(chorus)

Because you don't have anything

But sizzling secrets to tell

No you don't have anything

But sizzling secrets to tell

And we all agree

No, it's not just me

That talking to you is like ringing a bell

 

 

Girl in Landscape

You go places to lose people

You go to people to lose places

You go to the drugstore for cigarettes

You go to the mirror to lose faces

 

(chorus)

But try as you might, you just can't lose the girl in landscape

She's there, the pinpoint of desire

The unextinguished fire

And you know, you can never lose the girl in landscape

 

Plant a flag on the rocks if you're lost

Blow your pants up and float back to shore

If you're happy and you know it clap your hands

If you're leaving the room close the door

 

(chorus)

But try as you might, you just can't lose the girl in landscape

She's there, the pinpoint of desire

The unextinguished fire

And you know, you can never lose the girl in landscape

 

There's no way to see the horizon

There's no need to get out of the car

Unless you need to go the bathroom

You could try to go here in this jar

 

(chorus)

But try as you might, you just can't lose the girl in landscape

She's there, the pinpoint of desire

The unextinguished fire

And you know, you can never lose the girl in landscape

 

You can't fill the gap with landscape

You can't but pick her out of the scene

Objects in mirror are closer than they appear

Her presence in landscape is sort of obscene

 

(chorus)

But try as you might, you just can't lose the girl in landscape

She's there, the pinpoint of desire

The unextinguished fire

And you know, you can never lose the girl in landscape

 

Girl in landscape

Girl in landscape

Girl in landscape

 

 

Vaster Than Charlotte

I tell you you think about Charlotte too much

It's taking your edge off, you're losing your touch

You think about Charlotte any time you're alone

Forget about Charlotte, get a gig or your own

 

(chorus)

If you spend all your time being vaster than Charlotte

You'll never wake up, no you'll never see

If you spend all your time being vaster than Charlotte

You'll never be vaster, be vaster than me

 

Anyway, Charlotte's too tall

You'll never be that tall

No, you'll never be Charlotte at all

 

If I don't bring her name up i can bet that you will

You call her a harlot, you call her a pill

I wish you would drop it and leave it alone

Forget about Charlotte, get a gig of your own

 

(chorus)

If you spend all your time being vaster than Charlotte

You'll never wake up, no you'll never see

If you spend all your time being vaster than Charlotte

You'll never be vaster, be vaster than me

 

Anyway, Charlotte's too tall

You'll never be that tall

No, you'll never be Charlotte at all

 

You're walking like Charlotte, you're faking her walk

I think I hear Charlotte anytime that you talk

You don't want to hear it but I fear that it's true

Charlotte does Charlotte much better than you

 

(chorus)

If you spend all your time being vaster than Charlotte

You'll never wake up, no you'll never see

If you spend all your time being vaster than Charlotte

You'll never be vaster, be vaster than me

 

Anyway Charlotte's too cool

You'll never be that cool

No, you'll never be Charlotte, you fool.

 

 

The Moth of the Bee of the Birds

Pollinate? I'd prefer not to

I'd prefer anything

to being

the moth of the bee of the birds

 

Find a mate? I'd prefer not to

I'd prefer anything

to bee-ing, to bird-ing

the moth of the bee of the birds

 

Molest a bud? I'd prefer not to

I'd prefer circling

I'm hardly working

but that doesn't mean I'm having fun

 

It's not that I don't know about that stuff

I read that book

I heard that song

I know the words but I'd rather hum

I'd rather play dumb

I'm the moth of the bee

the moth of the bee

the moth of the bee of the birds

 

Unfortunate? I'd prefer not to

I'd prefer anything

to buzzing

and nuzzling

and fumbling with catches

and hotel room latches

I'll muzzle my powers

ignore all your flowers

and play dumb

 

Not one of the birds

Not one of the bees

Not one of the buzzers and lovers

I'm the moth of the bird of the bees

 

 

Fail My Test

Well I don't wanna hear another long denial.

If you tell another lie you'll only make me smile.

It's impossible to rewind impossible talk.

If you tell another lie you'll only make me walk.

 

(chorus)

What make you want to fail my test?

What makes you think I want to hear the rest?

You can only backpedal so fast.

You can only bury so much of the past.

 

Because the past is like a roller coaster

And memory is like a pop-up toaster

So don't stick a fork in it and don't try to fuck with it

 

Because the past like venereal disease

And memory I guess is like swiss cheese

You gotta keep it cold or it'll grow mold

 

Because the past is like an old leather shoe

And memory is like a lot of worn out glue

You better make it fit tight or it won't hold right

 

So I don't wanna hear another long denial.

If you tell another lie you'll only make me smile.

It's impossible to rewind impossible talk.

If you tell another lie you'll only make me walk.

 

(chorus)

What make you want to fail my test?

What makes you think I want to hear the rest?

You can only backpedal so fast.

You can only bury so much of the past.

 

Because the past is like a worn-out cassette

And memory is something like a stale cigarette

Burns a hole in the rug and it's a pretty weak drug

 

Because the past is like that old movie we saw

And memory is something like the long arm the law

Throws you in the clink, wishing for a drink

 

Because the past is like interstellar gas

And memory turns out to be a pain in the ass

So tell it to me straight, come on, don't make me wait

 

(chorus)

What make you want to fail my test?

What makes you think I want to hear the rest?

You can only backpedal so fast.

You can only bury so much of the past.

 

Because, etc. etc.

 

 

Rock Dead

What I wanna know is

Is rock dead?

Or has it only suffered a blow to the head?

Is it under a spell?

Is it wandering dumb in the wilderness?

If I call it will it heel?

What I wanna know is

How does rock feel?

 

What I wanna know is

Is rock dead?

Or has it just gotten up on the wrong side of bed?

If I poke it will it moan?

What if I called it on the telephone?

If I pinch it will it squeal?

What I meant to ask is

How does rock feel?

 

What I wanna know is

Is rock dead?

Or is only suffering from a blow to the head?

Is it sulking in its room?

Is it listening with an ear at the keyhole?

Does it hold out any hope?

What I wanna know is

Can rock cope?

 

 

If Wynton Marsalis Had a Toy Boat

If Wynton Marsalis had a toy boat would it sink or mutiny or rebel?

Would it journey to a darkened shore with Humphrey Bogart and Walter Brennan aboard?

Would they drink or would they fish or make a wish?

 

If Henry Kaiser had a pointer would it hunt, or would it sit back and smell?

Would it trace skunks to a neighbor's door and root them out of Robert Lowell's garbage cans?

Do skunks smell yogurt or cottage cheese in the breeze?

 

 

The Second Longest Night

Emily at the Continental Divide

Saying, "Why don't you bring your friends inside?"

You tell that you'd like to, of course.

But your friends are down drinking at the White Horse.

Paula says "That girl's got a crush on you."

And you say "I know, but there's nothing I can do."

The one that's on your mind is dancing with her friend

And she's telling the joke from Alphaville, again.

 

(chorus)

You can't get anywhere, staring at the one you love.

You can't get anywhere, staring at the one you love, no, no, no, no.

You can't get anywhere, staring at the one you love.

You can't get anywhere, staring at the one you love, no, no, no, no.

Telling jokes in cars, memorizing names of bars,

That's how you spent the second longest night.

Bumming cigarettes, taking hopeless bets,

That's how you spent the second, the second longest night.

 

Rachel bogged down at The Tragic Muse,

Saying, "I forgot to wear comfortable shoes."

She adds, "My life is something like a cartoon."

You swear you'll meet her at eleven at Hank's Saloon.

Paula says, "Hank's gives me a migraine head."

And you say, "By then you know you'll be in bed."

The one that's on your mind is dancing with her friend

And she's telling the joke from Alphaville, again.

 

(chorus)

You can't get anywhere, staring at the one you love.

You can't get anywhere, staring at the one you love, no, no, no, no.

You can't get anywhere, staring at the one you love.

You can't get anywhere, staring at the one you love, no, no, no, no.

Telling jokes in cars, memorizing names of bars,

That's how you spent the second longest night.

Bumming cigarettes, taking hopeless bets,

That's how you spent the second, the second longest night.

 

(outro)

You can't get anywhere, staring at the one you love

That's how you spent the second longest night.

You can't get anywhere, staring at the one you love

That's how you spent the second, the second longest night.

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Bücher von Jonathan Lethem